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However, within minutes of opening one of my pictures in Snap Art 3, I was struck with the effects and couldn’t deny that I liked what I saw: complex brushstrokes, clean edges, delicate pointillism, and more. Making art is supposed to be a difficult, time-consuming process. The tools and controls are easy to use and the process is intuitive, but just in case, the interface has mouseover tooltips and there’s a collection of video tutorials on Alien Skin’s website.įor some, Snap Art’s quick results might be a legitimacy issue. Snap Art processes large files relatively quickly and renders your image in a large preview window. You can globally adjust the preset style using sliders to modify brushstroke, surface texture, color, light, etc., or locally use a layer mask to modify your image.Īt any point in your exploration you can save and name your modifications. There’s a comprehensive collection of preset styles to get you started such as crayon, oil paint, pencil, comics, and watercolor that are further broken down into subgroups for landscapes, portraits, abstracts, etc. And it’s exactly what the name implies-software for quickly transforming photographic images into stylized art.
#ALIEN SKIN SNAP ART REVIEW SOFTWARE#
Snap Art 3 is Alien Skin’s latest version of their painting and drawing effects plug-in software for Photoshop, Lightroom, and Elements. Purchasing products and services through these links helps support our efforts to bring you the quality information you love and there’s no additional cost to you.Turn Your Images into Works of Art in a Snap
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*The Current Photographer website contains links to our affiliate partners. You can try or buy Snap Art 3 from Alien Skin’s website. That should not detract from how good this software is, though, and if you like the painted look, Snap Art 3 won’t let you down.
#ALIEN SKIN SNAP ART REVIEW PROFESSIONAL#
The $199 price-tag on this plug-in is pretty steep, and means that most purchases will be using Snap Art for professional purposes. Don’t get me wrong – these computer-generated canvases may not fool an art expert – but to the untrained eye, Snap Art 3’s filters really do make Cézannes out of your favourite landscape snaps. And quite frankly, if you use Snap Art 3’s filters, I think it is. Additionally, the strength and angle of computer-generated light on the picture is adjustable – another neat touch.įor those who can’t draw, or just like the softness paint brings to an image, photo-to-art conversion should be great.
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These allow you to fine-tune the medium your “painting” is on, meaning an oil pastel on wood, or a cartoon on leather are both possible. The realistic nature of Snap Art 3’s filters is only increased with the canvas options.
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Snap Art 3 does, however, include the ability to make standard adjustments to the whole artwork. Unfortunately, this does not include adjustments such as colour or exposure, but it does allow you to change photorealism and brush effects on an area of the image, perhaps increasing the apparent realism of the artwork. Once you’ve chosen your style, you then have the option to adjust it selectively, using Snap Art 3’s in-built layer mask system. The results are very realistic and, to add a unique twist to every picture, Snap Art 3 includes a 4-digit randomisation system, which means the texture of the “canvas” can be one of 9,999 subtle variations. Each style has its own set of variables, such as paint thickness, brush stroke length and brush size. Options include pastels, watercolours and pen and ink. First, you choose your favoured real-world method of putting an image on canvas. Unlike Photoshop’s built-in art filters, Snap Art 3 comes with a plethora of realistic options. Snap Art 3 is accessed via the filters menu, but upon activation, it springs up in a new window of its own. But is it a Caravaggio, or more of a crayon? Alien Skin’s Snap Art 3 is a plug-in for Photoshop, Elements and Lightroom, which attempts to deliver a better in-computer art experience to photographers. As a result, what should be a good idea – artifying photographs – has been a technique to avoid at all costs. Since the dawn of time – well, of Photoshop, anyway – photographers have taken pictures, loaded them into their photo editor, and then seen the tempting “art” filters, only to be disappointed by them time and time again.